U.S. Classic Guitar

Pepe Romero and Celino Romero Virtual Concert Tickets

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Welcome and thank you for your interest in this event!

To qualify for a senior ticket you must be 60 years of age or older. To qualify as a student you must be enrolled full or part time in grades K-12 or and undergraduate or graduate college program.  This season you will receive two links for each concert. One link will be a YouTube Link which is where the live concert will be broadcasted.  The second link will be a Zoom link which will be for the meet and greet directly after the concert. If you do not see these two links in your email within 4 hours of the event, check your spam folder. If you still have not received it after checking your spam folder, please email us at info@usclassicguitar.org with your order number or call us at 971-715-8097. If you made your ticket purchase within less than 4 hours of an event, your links will be emailed to you before the start of the event. You will have access to view the recorded event for up to 72 hours after the event airs. For master classes you will receive a Zoom link 4 hours before the start of the class. Our artists are presenting exclusive programs for our U.S. Classic Guitar audience and these performances and master classes will only be available to ticket holders.

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Copyright notice: By purchasing this ticket you are agreeing to not share the link with anyone else, redistribute, sell, record the event, or upload the content to the internet without the prior written consent of U.S. Classic Guitar. Thank you for your support and understanding on this matter.

 

Pepe Romero and Celino Romero Concert – Sunday, June 13 at 3 PM Hawaii Time, 6 PM P.D.T., 9 PM E.D.T. 

Pepe Romero and Celino Romero Master Class – Saturday, June 12 at 11 AM Hawaii Time, 2 PM P.D.T., 5 P M E.D.T  

 

Pepe Romero: Biography

There are very few true living legends in the world of classical music, few who have sustained greatness and grown throughout their lives. Pepe Romero is such an artist. He has been honored by kings, heads of state, and major institutions-the encomiums continue to pour in. But to Romero, his most important contribution has been reaching the common man. He has communicated the richness and beauty of the classical guitar to millions of people throughout the world. He has, indeed, become an ambassador of classical music, and, correspondingly, of the classical guitar.

But this gift did not just appear out of nowhere. Pepe is the second son of one of the greatest guitarists that ever lived—Celedonio Romero. And he is brother to two more musical phenoms—Celin and Angel Romero.  But perhaps we should start at the beginning...

Pepe was born in Málaga, Spain, in 1944. In those days, following the devastating Spanish Civil War (1936-39) and during the Second World War, Spain was in desperate economic straits.  Basic survival was the primary challenge. Yet, despite this, Celedonio Romero and his remarkable wife, Angelita, instilled in all three of their children a love of music that transcended the profound misery surrounding them.

By age seven, Pepe set foot on the concert stage for the first time, at the Teatro Lope de Vega in Sevilla. And now, more than sixty years later, he continues to mesmerize audiences throughout the world. During that time, he has given literally thousands of concerts worldwide, many with the remarkable Romero Quartet, and many as a solo instrumentalist. He has worked with almost every major conductor and has to his credit more than 60 recordings (among which are 20 concerto recordings with the Academy of St. Martin-in-the-Fields, with both Neville Marriner and Iona Brown).

Pepe Romero has premiered works by some of the finest composers of the twentieth and twenty-first centuries. Joaquín Rodrigo, Federico Moreno Torroba, Lorenzo Palomo, Padre Francisco de Madina, Paul Chihara, Enrique Diemecke, Ernesto Cordero, and, most poignantly, Celedonio Romero, have written compositions for Pepe. Always a champion of music by composers in earlier periods of music history, he has also delved into rare archives to re-explore lost pieces by Fernando Sor, (world premiere and recording of Fantasie in d minor), Mauro Giuliani (world premiere recordings of Concerto no.2 in A major and Concerto no.3 in F major and Variations and Polonaise, Op.65), Francesco Molino (world premier recording of Guitar Concerto in E minor, Op.56), Ferdinando Carulli (world premiere recording of Guitar Concerto in E minor, Op.140), Johann Kaspar Mertz, Luigi Boccherini, (world premiere recording of all 8 guitar quintets) and others.

In 1992, Pepe Romero performed on a groundbreaking laser disc of the Concierto de Aranjuez with Neville Marriner and the Academy of St-Martin-in-the-Fields. He played a prominent role in the major film documentary Shadows and Light: Joaquin Rodrigo at 90, which received numerous plaudits worldwide (including the Chicago International Film Festival, International Emmy Awards, and San Francisco International Film Festival). In 2005 the Romero Quartet recorded Concierto vasco para 4 guitarras y orquesta by Francisco de Madina (written for the Romeros) with the Basque National Orchestra on a Claves release (entitled Aita Madina). A prominent recording entitled The Romeros: Generations, features premieres of works by Jorge Morel (such as El Maestro, dedicated to Celedonio) and by Pepe himself, Recuerdos del pasado. In the spring of 2005, a solo recital release called Corazón Español became available on the CPA Hollywood Records label. Shortly thereafter, on the same label, came Classic Romero, another invaluable recital recording. In the summer of 2008, Pepe Romero recorded a splendid solo guitar-vocal work by Lorenzo Palomo, with internationally recognized Spanish soprano Maria Bayo. It includes the song cycles Mi jardín solitario (with texts by Celedonio Romero) and Madrigal and Five Sephardic Songs and was released on the NAXOS label in 2009 along with Palomo’s Concierto de Cienfuegos with the Romeros Quartet and Rafael Frühbeck de Burgos conducting the Seville Royal Symphony Orchestra. Celebrating their 50th anniversary and released in 2009, is a recording by the Romeros for Sony´s RCA Red Seal Label entitled Los Romeros: Celebration. In November 2011, Deutsche Grammophon released Christmas with Los Romeros featuring the Romeros and Christmas favorites.  A new Spanish solo guitar CD Spanish Nights performed by Pepe Romero includes a premiere recording of Suite Madrileña No.1 by Celedonio Romero and was released June 2012 by Deutsche Grammophon.  In November 2012 Pepe Romero received a Latin Grammy Nomination for “Best Classical Album” for his recording of Concierto festivo by Ernesto Cordero. Celebrating his 70th birthday DECCA released an 11 CD set of recordings entitled “Pepe Romero: Master of the Guitar.” Recent recordings include a CD entitled Aloha España featuring guitar and ukulele performances with Daniel Ho. Released in October 2016 by Dacapo Records is a historic live performance DVD of Concierto de Aranjuez with his great life-long collaborator and friend, Rafael Frühbeck de Burgos conducting the Danish National Symphony Orchestra.  Among his recent releases are Torroba: Guitar Concertos Vol I and Vol II, both CDs are part a series of recordings (shared with guitarist Vicente Coves and conducted by Manuel Coves) for NAXOS of the complete guitar concertos by Federico Moreno Torroba.

Maestro Romero's many accomplishments include: world premieres of Rodrigo´s Concierto andaluz (with the Romero Guitar Quartet), Concierto madrigal (with Angel Romero), and Concierto para una fiesta (written for Pepe Romero); Federico Moreno Torroba's Diálogos entre guitarra y orquesta (Pepe was personally chosen by Torroba and Andrés Segovia for the world recording premiere of this work dedicated to Segovia with an extended guitar cadenza written especially for Pepe), Concierto Ibérico by Torroba (written for and performed by the Romeros), Concierto en flamenco by Torroba was premiered in Málaga (performed by Pepe with Angel Romero conducting); and Lorenzo Palomo's Concierto de Cienfuegos (with the Romero Quartet) and Nocturnos de Andalucía (both released on the Naxos label). Of the many guitar concertos by his father, Celedonio Romero, Pepe has performed the world premieres of Concierto de MálagaFiesta Andaluza and El Cortijo de Don Sancho. Other premieres include Troubadour Music for four guitars and orchestra by Morton Gould, Concierto vascoand Concierto flamenco by Francisco de Madina, Concierto festivo by Ernesto Cordero, Christmas Suite for four guitars and chamber orchestra by Massimo Paris, Concierto a Celedonio by Enrique Diemecke, Concierto Mariachi by Michael Zearott and the guitar concerto, Zareh, by Loris Tjeknavorian. He also revived the great orchestral work Metamorfosi de concert by Xavier Montsalvatge, with Gianandrea Noseda, and premiered as well as recorded the Concerto for Guitar and Orchestra with Trumpet Obbligato by Paul Chihara, with Neville Marriner and the London Symphony. In April 2014 Pepe Romero performed the German premiere in the Berlin Philharmonic of a new work by Lorenzo Palomo – Fulgores - for violin, guitar and orchestra. Upcoming projects include premieres of new guitar concertos by the wonderful Italian composer, Massimo Paris and by the imminent Spanish composer, Jose Peris Lacasa.

In the United States, he has appeared with leading symphony orchestras in Philadelphia, Cleveland, Chicago, Houston, Detroit, Pittsburgh, Boston, San Francisco, Dallas, New York, and Los Angeles, as well as with the Orpheus Chamber Ensemble and Boston Pops.  European ensembles with which he has appeared include the Academy of St-Martins-in-the-Fields, Dresden Philharmonic, London Symphony, la Accademia Santa Cecilia di Roma, Monte Carlo Philharmonic, I Musici, Zurich Chamber Orchestra, Philharmonia Hungarica, Solisti di Zagreb, Hungarian State Orchestra, Spanish National Orchestra, Spanish National Radio Television Orchestra, Norddeutscher Rundfunk, Hamburg Philharmoniker, L'Orchestre de la Suisse-Romande, Lausanne Chamber Orchestra, New Moscow Chamber Orchestra, American Sinfonietta, and Bournemouth Symphony—among many others.

In addition, he has collaborated with such distinguished conductors as Sir Neville Marriner, Rafael Frühbeck de Burgos, Jesús López-Cobos, Eugene Ormandy, Antoni Ros-Marbà, Josep Pons, Arthur Fiedler, Lawrence Foster, Enrique Jordá, Andre Kostelanetz, Leonard Slatkin, Phillipe Entremont, Odón Alonso, Morton Gould, Michael Palmer, Guillermo Figueroa, Michael Zearrot, Miguel Ángel Gómez Martínez, Pedro Halffter, and Christoph Eschenbach.

Pepe Romero has always felt, along with his father and brothers, that the sharing of one's art is a personal responsibility. Mr. Romero has served as Professor of Guitar at the University of Southern California, University of California at San Diego, Southern Methodist University, and the University of San Diego. Every summer at the Celedonio Romero Guitar Institute, currently held at Oklahoma City University, the Romeros conduct an intensive guitar workshop including master classes, private lessons, student concerts and a final concert featuring the students performing with the Romeros. Pepe has conducted master classes at the Salzburg Summer Academy, Córdoba Guitar Festival, and the Schleswig-Holstein Festival. In 2004 he was appointed Distinguished Artist in Residence at the University of Southern California's Thornton School of Music. His newly revised guitar method “La Guitarra” was published and released by Tuscany Publications in 2012. Currently he is finalizing a teaching video that discloses the principles of the Pepe Romero guitar technique.

Pepe Romero holds honorary doctorates in music from the San Francisco Conservatory of Music and the University of Victoria, British Columbia. In June 1996, he received the "Premio Andalucía de la Música," the highest recognition given by his native land for his contribution to the arts. In addition, His Majesty, King Juan Carlos I of Spain, has knighted Pepe and his brothers into the Order of "Isabel la Católica."  In June 2018 he received the Medalla de Honor from the Real Academia de Bellas Artes de Granada for his lifelong achievement in performance and pedagogy.

A biographical documentary about the Romeros appeared on PBS in 2001 entitled "Los Romeros, the Royal Family of the Guitar."  Following this production, German television released another brilliant documentary about the Romeros entitled ¨Los Romeros, the Dynasty of the Guitar."  In 2007, the Romeros received the President's Merit Award from the Recording Academy, producers of the Grammy Awards, for their significant contributions to the music world and professional career achievements.

Celino Romero Biography

When Celino Romero joined the all-family Classical guitar quartet, Los Romeros, in 1990 he ushered in the third generation of the group’s esteemed history. Established by Celino’s grandfather, father and uncles in their native Spain, Los Romeros have been performing together since 1960 for audiences worldwide. They are regarded by the New York Times as “The Royal Family of the Guitar.” Celino was joined 6 years later by his cousin Lito, who stepped in to replace their grandfather. Los Romeros have performed for dignitaries worldwide, including two American Presidents, Pope John Paul II and the King of Spain. In 2007, Los Romeros were granted The Recording Academy's President's Merit Award from the GRAMMYS in honor of their artistic achievements.


In addition to touring with Los Romeros, Celino performs as a soloist in recital and with major orchestras, as well as collaborating in duets with other family members. The entire group participates in teaching master classes on guitar, and Celino is expanding his reach as an instructor over the internet, with both live and recorded instruction.

Celino, his immediate family, and the rest of Los Romeros reside in Del Mar, California.

Growing Up Romero

Celino Romero may have been born into “The Royal Family of the Guitar,” but his place onstage among Los Romeros still had to be earned.

Born in Hollywood, California, in 1969, Celino moved with his family to Del Mar in coastal San Diego when he was just three. He was raised a true Southern Californian, loving everything nature and a Mediterranean climate had to offer: from the ocean beaches to the mountains and deserts, Celino has always found inspiration close to home.

Of course, there were always guitars around Celino’s childhood home, not to mention guitarists. (Really good ones – both the guitars and the guitarists!) Picking up the guitar was almost inevitable, as was hearing and seeing the instrument played to world class standards by his grandfather (Celedonio), father (Celin) and uncles (Pepe and Angel). Learning to play the instrument well, though – well enough to take the stage next to his family of virtuosos – was still up to Celino.

Celino had already picked up and played with guitars by age four, and he recalls starting lessons in earnest by about eight. His grandfather, father and uncles all were his instructors; regardless of teacher, though, it was always “The Romero Method,” a consistent approach to hand position, posture, fingering and other nuances of playing guitar consistently at the highest levels. And Celino’s mentors always taught him with warmth and encouragement, a practice he applies today with his own students.

While guitar talent clearly came down through the Romero side of the family, Celino also has an intensely talented musical mother. Laurie Romero is a classically trained operatic soprano and active music educator. Celino credits her with his early instruction on the piano, as well as his training to read music. While his earliest guitar lessons had emphasized playing by ear, reading music is a fundamental skill required of all classical musicians.

Ultimately the spark to excel came from within Celino, himself. Alongside the typical teen activities of growing up in Southern California – playing high school baseball and soccer, hanging out with friends at the beach, surfing and diving and so on – the guitar provided an outlet and a focus for Celino’s youthful energy. His practice hall was often the beach, the perfect spot where he found inspiration to play hard and fast. While this wasn’t the controlled, nuanced technique his mentors taught him for classical works, it helped build the steady confidence required to perform in public. Guitar was his hobby, his passion and even his therapy. Somewhat out of sight of his mentors, Celino’s readiness for the stage advanced considerably in those many days at the beach.

When Los Romeros went on tour in Germany during the 1988 season, Celino went along for more training. He got the chance to see his family on the road and to understand the pleasures and demands of a touring performance schedule firsthand. And, though he wasn’t performing, of course Celino brought a guitar along. During this trip his family had a chance to hear how much he had honed his skills in all those days at the beach, and they were impressed! If the established quartet members knew some changes were coming, they also saw in Celino how the group would thrive amid those changes.

Being Romero

In 1990 Los Romeros underwent a reorganization that would position the all-family group to continue into the next generation. Each player had always performed separately, in addition to his work with the quartet, and at this point Uncle Angel decided to focus full time on conducting and solo performance. Fortunately Celino was ready with the talent, training and work ethic necessary to fill the opening in the quartet left by Uncle Angel.

Malaga, Spain, the Romero family’s ancestral home, saw the public debut of Celino’s career as one of Los Romeros in 1990. An American debut at Los Angeles’ Greek Theater came soon after. In 1993 Celino had his solo debut with orchestra, backed by the Vermont Symphony, playing Joaquin Rodrigo’s alternately delicate and stirring Concierto de Aranjuez. Other solo collaborations followed, with Celino continuing to perform the Rodrigo, as well as Ponce's Concierto del Sur and Moreno Torroba's Sonatina for Orchestra and Guitar.

Joaquín Rodrigo, it should be noted here, was a mainstay of Los Romeros’ repertoire, with debuts and commissioned works since 1967. When Celino joined the quartet, he had the pleasure of touring with his Uncle Pepe performing Rodrigo’s Concierto Madrigal for Two Guitars.

One of Celino’s most treasured memories from those early years with the group is that he had the chance to play professionally alongside his grandfather from 1990 to 1995. Celino’s cousin, Lito, replaced their grandfather in the quartet beginning in 1996, and the group has continued unchanged through to today.

For more than two decades now, Celino Romero has appeared with Los Romeros in many of the world’s leading performance halls and with many of its finest orchestras, as well. A full touring schedule over the years has taken the group to world capitals, as well as smaller and more intimate venues globally.

Teaching Romero

Musical instruction is a passion and a commitment in the Romero family. “Papa” Celedonio started a tradition all those years ago, teaching his three boys by age four. When setting out to teach children to play musical instruments – especially the guitar, which relies so heavily on fine hand motor skills that kids are still developing – everything depends on the experience being enjoyable and relaxed, in addition to being disciplined. That’s how it was for Celin, Pepe and Angel when their father taught them and it was very much the same for Celino in his early years. It’s also what Celino is so deeply committed to emulating for the benefit of his own students.

These days Celino teaches both one-on-one and in group settings, as well as over the internet. A high point of each season is the Celedonio Romero Guitar Institute in Oklahoma City, a week-long program held in early summer since 2009. The entire quartet participates at the Institute, teaching one-on-one and group master classes, as well as providing opportunities for students to perform alongside their teachers.

Celino has also been teaching master classes each year at the Detroit Chamber Music Society since 2010. And in any given year more master classes appear on the calendar to complement his touring schedule, as well.

In 2006 Celino released his instructional book and CD set, “The Art of Spanish Guitar: A Method.” This successful title combined Celino’s love for teaching the guitar with his desire to reach a wider audience. At the heart of this endeavor is a deep belief that the style of playing followed now by three generations of the Romero family is truly special.

Building on the above publication, Celino is now pursuing ways to expand his reach as a master class guitar instructor. One-on-one instruction is available via Skype for select students. The success of some of Celino’s YouTube videos, LaPaloma has garnered to date well over 600,000 views!) has inspired thought of a video instruction series. In the future Celino plans to develop individual lesson videos for young audiences, delivered via subscription over the internet. 

Living Romero

All four members of the Quartet live near one another in Del Mar. Celino is philosophical about what music has brought into his life. It is beauty, tradition, warmth, discipline, passion, and so much more. Ultimately for Celino and his family, music is the core of who they are and how they live.