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Eliot Fisk and Angel Romero
An Exciting Evening of Solos and Duets
Rescheduled Concert Date: Monday, June 5th, 2017 7:30 PM
Newark Theatre - Antoinette Hatfield Hall
1111 SW Broadway, Portland, Oregon 97205
Master Class: Sun, June at 7:00 PM
Marylhurst University - Wiegand Hall
Guitarist Eliot Fisk is known worldwide as a charismatic performer famed for his adventurous and virtuosic repertoire. He is also celebrated for his willingness to take art music into unusual venues (schools, senior centers, and even logging camps and prisons!). After nearly 50 years before the public he remains as his mentor Andres Segovia once wrote, “at the top line of our artistic world.”
In the 2016- 17 season Fisk continues to break new ground for the guitar with marathon performances of his transcriptions of all 6 Bach solo cello Suites at the National Gallery in Washington D.C. and a new quintet for guitar and strings being composed for Fisk and the famed Arditti String Quartet by eminent German composer Wolfgang Rihm to be featured in multiples performances on two continents starting in 2017. 2016 will also see the long awaited release of Robert Beaser’s monumental Guitar Concerto, dedicated to Eliot Fisk, with Jose Serebrier leading the Royal Scottish National Orchestra on LINN Records.
Eliot Fisk has performed as soloist with the Los Angeles Philharmonic, the Houston Symphony, the Rochester Symphony, the Orchestra of St. Lukes, the Stuttgart Chamber Orchestra, the Pro Arte Orchestra, the American Composers Orchestra, Boston Modern Orchestra Project (BMOP) and numerous other prominent orchestras around the world. He returns regularly to major concert series such as Stanford Lively Arts, Spivey Hall (Atlanta), Duke University Performances, Newman Center for the Performing Arts in Denver; Lincoln Center, The Metropolitan Museum of Art, and the 92nd Street Y in NYC, Da Camera Society of Houston, Da Camera Society of Los Angeles, San Francisco Chamber Music; Segovia Series at Pick Staiger Hall at Northwestern Unviersity; Jordan Hall, Boston; Orange County Performing Arts Center; Brahms, Mozart and Schubert Saal (Vienna); Mozarteum Grosser Saal (Salzburg); Wigmore Hall and Queen Elizabeth Hall (London) and at numerous guitar festivals such as those of Cordoba, Spain; Belgrade, Serbia; and Iserlohn, Bad Aibling and Hersbrueck, Germany.
Eliot Fisk has performed with a dizzying array of chamber music colleagues including flutist, Paula Robison; clarinetist, Richard Stoltzman; cellist Yehuda Hanani; the late violinist Ruggiero Ricci; the Shanghai, Juilliard, Miro, Borromeo and Miro String Quartets. He has invented numerous cross over projects with among others Paco Pena (flamenco guitar); Joe Pass and Bill Frisell (jazz guitar) chanteuse Ute Lemper and Turkish music specialist Burhan Oecal.
The repertoire of the classical guitar has been transformed through Fisk’s innumerable transcriptions (including works by Bach, Scarlatti, Haydn, Mozart, Paganini, Schubert, Mendelssohn, Granados, Albeniz and many others). In addition, numerous new works have been dedicated to him by composers as varied as Luciano Berio, Leonardo Balada, Robert Beaser, Nicholas Maw, George Rochberg, Daniel Bernard Roumain and Kurt Schwertsik.
Eliot Fisk remains a prolific recording artist. Recent releases include Ralf Gawlick’s Kollwitz Konnex for soprano and guitar (Musica Omnia) Anthony Paul de Ritis’s Pop Concerto with Gil Rose leading the Boston Modern Orchestra Project (scheduled for 2016 release), a pair of CDs of new music dedicated to and transcribed by Fisk of works by Beaser, Corigliano, Schwertsik, and Rochberg (WIldner Records) and duo discs with flamenco legend, Paco Pena (on Nimbus Records) and cellist, Yehuda Hanani (Albany Records).
Eliot Fisk was the last direct pupil of Andres Segovia and also studied interpretation with the legendary harpsichordist Ralph Kirkpatrick at Yale University, from which he graduated “summa cum laude” in 1976, and where directly following his own graduation in 1977, he founded the guitar department at the Yale School of Music.
Described by one New York Times headline as a “Fiery Missionary to the Unconverted”, Eliot Fisk is Professor at the Universitaet Mozarteum in Salzburg, Austria, where he teaches in 5 languages, and in Boston at the New England Conservatory where in 2010 he received the Krasner Award as “Teacher of the Year”.
In June 2006, King Juan Carlos of Spain, awarded Eliot the “Cruz de Isabel la Catolica” for his service to the cause of Spanish music. Earlier recipients of this honor have included Andres Segovia and Yehudi Menuhin.
Hailed for his superior artistry as the Spanish maestro of the guitar, Angel Romero’s eminence in the music world as soloist and conductor is heralded by audiences and critics alike. One of the most sought-after musicians of his generation, Angel Romero has appeared in the major cultural centers throughout the world including those of London, Paris, Berlin, Vienna, Madrid, Munich, Zurich, Chicago, Los Angles and New York among others. He has appeared as soloist with such leading orchestras as the New York Philharmonic, the Cleveland Orchestra, the Royal Philharmonic, the New World Symphony, and the Royal Concertgebouw Orchestra. As conductor, he has led numerous orchestras worldwide including the Pittsburgh Symphony, the Academy of St. Martin in the Fields, the Royal Philharmonic, Germany’s NDR Symphony Orchestra and the Berlin Symphoniker, the Beijing Philharmonic, the Euro-Asia Philharmonic, the Shanghai Symphony, the Bogotá Philharmonic, the Chicago Sinfonietta, the Orquesta de Baja California, the Santa Barbara Symphony, the San Diego Symphony and the San Diego Chamber Orchestra among others. Regardless of his role on stage, his driving intensity and flawless control mark him as a true master of the arts.
Angel Romero’s extensive discography includes highly acclaimed recordings for Delos International, RCA Victor Red Seal and RCA Victor Worldwide, Telarc and Angel/EMI. In 2001, Delos released “Bella,” which includes monumental pieces such as Bach's Air on the G String to Romero's own father's Tango Angelita - a composition dedicated to his late mother. In 1999, “Romero Plays Rodrigo” was released featuring works written for and dedicated to Angel Romero through his long and close relationship with the Spanish composer. In 1998, he was featured as soloist and conductor in an acclaimed recording of Vivaldi’s guitar concertos with the Academy of St. Martin in the Fields. In 1995, RCA released a crossover recording of flamenco and pop music, featuring Angel Romero playing a diverse repertoire spanning works from Pachelbel to Bill Conti. This particular recording features Mr. Romero’s world-premiere transcriptions for one guitar.
In February 2000 he was presented with the highest honor that the country of Spain has to offer, the Grand Cross of Isabel la Catolica and was knighted Sir Angel Romero in reverence of his astounding musical accomplishments. In 2007, Angel Romero was honored by the Recording Academy, producer of the Grammy Awards, with the Recording Academy President’s Merit Award for his significant contributions to the music world and for his professional career achievements.
Angel Romero is noted for his activities in the film industry. In 1989, he performed the entire score for “The Milagro Bean Field War” directed by Robert Redford. In 1994, he composed and directed the musical score for the Gabriele Retes film “Bienvenido-Welcome,” which opened at the Muestra del Cine film festival in Guadalajara. For his work on this film, Mr. Romero won the 1995 ARIEL (the “Academy Award” of Mexico) in the category of music written originally for film. He also performed and recorded the entire score for the film “By The Sword” composed by Bill Conti, and played a cameo role in the major motion picture “Bound by Honor,” a Taylor Hackford film.
Born in Malaga, Spain, Angel Romero made his professional debut at the age of six and his United States debut at the Hollywood Bowl when he was 16 giving the West Coast premiere of the famed Rodrigo’s “Aranjuez Concerto.” This occasion also marked the first time a guitarist was featured as soloist with the Los Angeles Philharmonic. In 1991, he gave the world premiere of Joaquin Rodrigo’s “Rincones de España” at New York’s Lincoln Center. Mr. Romero studied conducting privately with Eugene Ormandy, the legendary conductor of the Philadelphia Orchestra. Angel Romero has played for numerous world leaders including his globally telecast 1992 appearance in the United Nations General Assembly Hall with the National Orchestra of Spain under the baton of Rafael Frühbeck de Burgos. The performance was by invitation of then Secretary General Boutros Boutros-Ghali to promote world peace and to celebrate the 500th Anniversary of the discovery of America by Christopher Columbus.